What Sylvia Plath Taught Me is by Summer Pierre

What Sylvia Taught Me
Last night on twitter, a reader, Esther Berghdal, alerted me to the fact that The Atlantic had blogged my drawing of Sylvia Plath.  I would have been thrilled, except that it had been blogged without credit from one of their associate’s blogs.  Then I saw that NPR had also blogged it from The Atlantic and so did Rookie Mag.  Rookie Mag had a sad little comment saying, “Wish we knew who the source was because it’s great.”

I am a fan of all three of those agencies and, as you might imagine, so are many other people.  I should have been feeling excited and elated, but I was freaked out at the climbing numbers of reblogging and likes.  I stopped looking when the “love” of my image neared 6,000 notes.

I contacted NPR blog team, The Atlantic blog team, and the original “source” for blogging, (UPDATE: the original source updated and credited me and left a wonderful comment below.  I love it when humans prevail!  Thank you!) After a flurry of tweeting, Rookie Mag responded and were quick to credit me (I love you Rookies!!).  They also mentioned that they tried to find the source through Google images and a service called TinEye.com, but could not find the source.  So I tried it myself and what I found was page after page of pins and tumbles and blogs of my image all uncredited.  My anxiety went through the roof and I just closed the computer knowing it was ultimately a lost cause–one perhaps that I can take steps to avoid in the future, but is the nature and a hazard of putting your work on-line.

NPR and The Atlantic may have bigger fish to fry then to seek out the sources of all the images they blog (though as news sources, they technically should not), but my drawings and the life they take on, are the only fish I have.  What can I say, but this is a STONE COLD BUMMER.  Despite what it may seem, it is actually WORSE than getting no attention at all.  How can you feel you are making an impact when nobody cares to see who’s doing the work?  Distribution means nothing when you’re being distributed namelessly.

I am loathe to make giant complaints about the nature of information on the internet, because I already have and it’s like shouting into a windstorm and those who hear me fall into two camps: ones that already agree with me and others who roll their eyes and think “Get over it.”  To talk about the value of information and its sources on this weird floating orb we call the internet is to talk about something everyone knows, but not enough people care about.  It is to talk about a sinking ship that set sail awhile ago.

Still, I give a shit.  I give a shit because I value what I do.  I give a shit because I value what others do (I have donated money to you, NPR!).  I give a shit because for some mysterious reason I want my work to be seen and valued by others–and part of that is to value and know that I made it.  You take that part away and what does it mean?  Nada.

I don’t need to tell you about the time and effort and “real work” that went into my art–you all know that.  Grace Bello knows that.  NPR and The Atlantic knows that.  Joe or Jane Schmoe who originally downloaded the image and reposted it knows that it took effort–but nobody feels responsible to that effort because it’s just a nifty cloud in space among a billion clouds in space they interface with every day.

So now I am going to have to do stuff with my art that I just hate, like putting my name shamelessly in titles of blog posts like this one.  I am going to have to put copyright signatures on everything I do.  If that doesn’t work than I’ll have to put the awful watermark that ruins the art but protects it. Lacking that, I can’t afford the effort of posting on-line.  I’m glad my drawings are good enough to be passed on, but I, as the artist, can’t afford the be passed up. I don’t have enough opportunities yet to swallow the cost.  It’s just the reality.

7 thoughts on “What Sylvia Plath Taught Me is by Summer Pierre

  1. Wow! To me this is unimaginable: anyone knows this drawing is vintage Summer Pierre! I’m amazed at these (re )bloggers’ ignorance.

    You should have a comment added, like they do in paper newspapers: “The Sylvia Plath drawing shown on … is by Summer Pierre.”

    Simple and to the point. Plus the title of the book in which it can be found.

    Other than that, all I can say is “ignorami.”

    I can spot a Summer Pierre a mile away.

    Plath & Pierre rock!

  2. All I can say is “UGH!” I SO know this feeling, I have been there too. You want to jump up and down and say “It’s me, it’s me!! I did THAT!” I want to jump up and down for you. the feeling of helplessness about it is debilitating. Ugh. I am sorry.

  3. If it makes you feel any better, (which i’m sure it won’t), she also put a Barry Blitt illustration with no credit on her Tumblr feed. Seems to be a thing she does. This is sad for someone in the magazine industry, a credit is the only way we make/develop a name and get work as illustrators.

  4. Hey Summer, I just credited you on my Tumblr: http://gracebello.tumblr.com/post/74195850234/update-this-illustration-is-by-summer-pierre FYI, I discovered your awesome illustration via Writers Bloq’s Twitter, where it was also uncredited: https://twitter.com/WritersBloqInc/status/426078167749910528 I’m really sorry about that! I respect illustrators in general and your work in particular. And actually, if you have any books coming out, please let me know. I write about graphic novels for Publishers Weekly.

  5. This is why I hate the Tumblr Universe. 80% of all the content is uncredited, and none of them care. They just reblog into infinity and it’s gone forever. Any creative person knows how cringe-worthy that is, and would not do it. So sorry you feel you have to pick up the watermarking, but you gotta do what you gotta do. I’m a photographer and I find my photos floating all over the interwebs uncredited, and I take issue with each individual. I message them, “Credit my photo, or remove it immediately.” I am shocked NPR and the Atlantic thinks it’s ok to take content from Tumblr, since everyone knows that’s where real art goes to die. Tumblr posters have no shame. The good news is, Google will troll and find this page here, and you’ll show up in results for the title of the piece.

  6. So here is my question to people that re-use images -even if they can’t find who did it. Let’s say it was back in 1990 or so, and you had to have a high rez scan or something akin to use in your print mag- would you do it? Or would the fact you had to take the extra steps stop you? I just don’t get anyone, anyone, saying, “Oh well, I looked at all these places and couldn’t find who did it” – SO WHAT! Someone did it and you know that, and you know or should know it doesn’t matter if their name is on it, you are breaking coyright law and taking credit form someone’s life income-and just because you can’t find the copyright hold or artist doesn’t mean you go ahead and use it. I put ©name on my blog images, but on my new site I just created, I wanted a clean image for my photos. I’ve already seen them on Pinterest, and at this point it goes back to the site but who knows. Summer, sorry it caused such angst- as it would have me,especially with those outlets. It’s happened to me and it sucks. As Neil Young says, “The internet is the new free radio”.

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